Monday, July 23, 2018

Star Wars: Lost Stars - Claudia Gray [Book Review]

Star Wars: Lost Stars (2015)
Author - Claudia Gray
Genre - Science Fiction



A tale of two lovers with allegiance to opposite sides in a seemingly endless war.

🌟🌟🌟🌟

Thane Kyrell is an upper class boy and Ciena Ree a rural villager from the backwater planet of Jelucan. They are united by their love of flying and joining the Imperial Navy. Everything is surreal until Thane, witnessing the myriad atrocities committed by the Empire - topmost of which was destruction of an entire planet, finally loses faith in the Empire and decides to defect from his post of Lieutenant in the Imperial Fleet to join the Rebel Alliance. Now witnessing the war from opposite sides, they are racked with constant fear of meeting each other in the battlefield, all along nursing their flaming love for each other.

The book was just amazing. Though I've not watched the original trilogy of Star Wars - the backdrop of Lost Stars, I still managed to get thorough enjoyment out of the book. This book, to me, gave me the exact feels when I watched The Force Awakens, the first of Star Wars movie that I watched. Though I'd still wish Star Wars would lose that elementary Dark-Light chasm shit and mix the whole thing into glorious shades of grey. (Can I be excused if I say I didn't intend it to come out this way?) But this book does tread a bit of my fantasy with one of the leads being a cynic and pointing out that people from both sides: the Rebels and the Empire considered themselves to be doing the right thing and the other trying to sabotage them.

Despite not being an avid Star Wars fan I finished reading the book in less than five days. I just couldn't put it down. I can't begin to imagine what it would be like to a fan of the franchise.

Thursday, April 12, 2018

The Immortalists - Chloe Benjamin [Book Review]

Book - The Immortalists
Author - Chloe Benjamin
Genre - Literary Fiction
Year Published - 2018

Does knowing about your death change the way you live your life?

☆☆☆

The Immortalists regales the story of four siblings: Daniel, the stoic oldest brother; Klara, the rebellious magician; Simon, the repressed youngest child and Varya, the pragmatist who seek out a fortune teller in 1969 and the fortune teller tells the children individually the exact dates they are going to die. The novel follows the story of each sibling - with their wildly different personalities - how they live knowing full well exactly when they are going to die. The major question the novel asks is whether it was fate that led the children to their prophesied demise or did they self-fulfill the prophesy.
The story-telling is rivetting, all the Gold children are super interesting, their disparate goals and lifestyles fun to read about (except the death part). The book is divided into sections, each one following different siblings. The first section is about Simon, who is to die at the age of 22 according to the prophesy. He goes to California and decides to make some risky choices and later contracts AIDS because of them and meets his demise on the prophesied date. Likewise, the theme of whether they were destined to die or was is their choices that self-fulfilled the prophesy is recurrent with every sibling hereon after. Despite not believing the prophesy, it still affects how they live their lives.
The book is an easy read, the pacing quick, the premise interesting nothing I can complain about those though I still felt up until the last page that this book was going to give me an answer stringing the siblings' death together through something - be it science or the supernatural or something. I found the ending provided by the author very lacking and misleading altogether, especially after the first chapter about the gypsy seer.

Saturday, April 7, 2018

Kasari Bhanu – Swoopna Suman - Samsakaran (2017) [Lyrics and English Translation]



Andhyaro Chha Yo Raat Aaja Kina Laamo Lagdai Chha?
Sanyau Kolte Feri Sake Tara Nindra Aaudaina
Sadhai Jhai Aajapani Juna Chamki Rahexa
Tara Badal Pari Luki Malai Jiskauchha Kina?

The night is dark today and feels overlong
I’ve tossed and turned a hundred times
 but sleep still eludes me
As always the moon is sparkling overhead
But why does it tease me from its 
hiding place behind the clouds?


Ho… Aaja Dherai Pachhi Timi Sanga Boleko
Tara Juni Bityo Hola Maile Mutu Sumpeko
Sadhai Jhai Aaja Pani Kura Adhuro Nai Rahyo
Bhanchhu Bhane Man Ka Kura Tyo Mutu Mai Lukyo

Yes... it had been a while since we last spoke
But perhaps it’s been an age that I’ve lost my heart to you
Like always our conversation today was incomplete
What I planned to say never escaped my heart


Kasari Bhanu Timilai?
Timro Aankha Ma Euta Jaadu Chha
Timro Muskuraune Parama Euta Beglainai Aavaash Chha
Khai Ta Timle Bujeko?
Kina Mutu Mero Choreko?
Ajhai Yaad Chha Timile Pahilo Palta Malai Chhoyeko

How do I say it to you?
Your gaze holds a surreal magic
Your smile elicits a novel tranquil feeling in me
Why wouldn't you get it that it is you who has stolen my heart?
I still remember the first time you touched me


Thaha Chhaina Timi Ko Hau Mero
Thaha Chhaina Kasari Aayou
Tara Samjhera Timilai Haraune Garchhu Ma
Sochera Timilai Nindaune Garchhu Ma

I don't know what you are to me
I don't know how you came around to be (what you are to me)
But I keep getting lost in your thoughts
My sleep is only fantasies about you


Laa…Laa…Laa…Laaa…


Chiso Chiso Mausam Tara Yo Mutu Nyano Chha
Sirani Lai Angalera Tolauchhu Kina?
Chaldai Chha Batas Herana Badhai Chha Yo Dhadkan
Aankha Ko Saamu Timi Dekhdai Chhu Kina?

The weather is cool but my heart warm enough
Why do I space out clutching my pillow?
The wind is blowing and my heartbeat racing
Why am I conjuring you infront of my eyes?


Hoo. Aaja Dherai Pachhi Timi Sanga Boleko
Kina Timi Dekhdai Nau Maile Mutu Sumpeko
Kasari Pokhu Timilai Mero Man Ma Lukeka Kura Chhan
Jati Tadha Huna Khojchhu Uti Maya Badhai Janxa Chhan
Khai Ta Timle Bujheko Timile Nai Mutu Chhoreko
Ajhai Yaad Chha Timile Malai Herdai Muskurayeko
  
Yes... it had been a while since we last spoke
Why cannot you see that I’ve lost my heart to you?
How do I divulge my heart’s true confessions?
The more I try to distance myself from you,
my love for you grows even stronger
Why wouldn't you get it that it is you who has stolen my heart?
I still remember you smiling when you looked over at me


Thaha Chhaina Timi Ko Hau Mero
Thaha Chhaina Kasari Aayou
Tara Samjhera Timilai Haraune Garchhu Ma
Sochera Timilai Nindaune Garchhu Ma

I don't know what you are to me
I don't know how you came around to be (what you are to me)
But I keep getting lost in your thoughts
My sleep is only fantasies about you


Composition/Lyrics/Vocals - Swoopna Suman
Abum: Samsakaran (2017)



Saturday, March 3, 2018

The Accidental Creative - Todd Henry [FRESH Technique]



The Accidental Creative explains how you can unearth and carefully manage your creative potential. The book explains how everyone has that "creativity potential" and the tools to unleash that dormant possibility by a technique to stay FRESH (focus, relationships, energy, stimuli and hour)

The book starts off with Three Assassins of Creativity:
1. Dissonance
2. Fear
3. Expectation Escalation

Now, let's look at each of the keys to creative insights:

Focus : A lack of focus comes from two key factors : unhealthy assumptions and ping. The former arises because our brains are preconditioned to predict what's going to happen based off of past experiences and the latter is the sudden and uncontrollable urge to divert your focus and respond to those pings of social media. In order to parry them off, we must do three things:
           - define your work
           - refine your work
           - cluster your similar tasks together

Relationship : To build strong relationships, there are three main strategies:
             - start a circle (friends and colleagues)
             - head to heads (one-on-one meetings)
             - establishing a core team (long-term student-teacher relationships)

Energy : Though the brain is only 2% of our total body weight, it uses 20% of the available total energy. Ergo, if we're tired or low on energy, we won't be able to function properly. Author Tony Schwartz says we're most productive when switching between periods of high focus and intermittent rest. Also, every month, "prune away" the least effective and the most energy draining activity in your life.

Stimuli : To help you effectively manage your challenging, relevant and diverse stimuli, there are three things you should do:
            - cultivate (while making study plans, allocate 25% to the areas relevant to your job where you lack information, 25% to your blind spots and the stuff that will benefit you in the wider sense, and remaining 50% to your passion.)
             - process (take notes on your insights, review and extrapolate a pattern there.)
             - experience (get out there, live a little)

Hours : Apart from putting in efforts to your passion everyday, the author recommends incorporating fun activities to your routine.



Thursday, March 1, 2018

A High School Story [Part - I]



Autumn was oncoming. Wind had gathered a bit of pace and the sun's boisterous energy was on the wane. It was also the first day of my high school. Me and my friends from our secondary school had decided on Western Academy of Computer Science (WACS) for bearing the setting for our high school adventures. 

"I hope our class has some pretty girls."

"God, let the principle be lenient in matters of tardiness"

Our conversation entailed the usual stuff as we were making our way towards the school gate. Brown, withered leaves eddied with the wind all around us. I was particularly rapt in one of these protracted eddies of swirling leaves when after a harmless giggle someone speared into my back. I, along with the girl, fell over, somehow ending up - as it is wont to do in these type of stories - in an embrace as we collided with the asphalt. Though the leads in so many of  romantic stories don't seem to register any pain incurred through such collision, I can personally vouch that it hurt like hell when I fell that day. It was a full week before I would let anyone ever so touch me on my shoulder blades. Though perhaps the pain of the leads are quelled - if not miraculously unfelt - by having a gorgeous pair of alarmed eyes sharing the fall with them. That was not the case for me. First up, my partner in this embarrassing montage was this chubby clumsy neighbor of mine, with I went to school with as well. And secondly, did I mention chubby, alright, I did. The whole crowd of on-lookers erupted in a laugh as we got up.

Embarrassment level - 110%

That too on the first day of school. Not off to a flying start I was hoping for.

"You have eyes." I fumed. " Ever thought about using them once a while."

"Ever thought about the general etiquette of not stopping dead still on the road when people are walking behind you."

That was Omita Gurung, my quick-with-a-reposte next door neighbor.  

"You're the one to talk --"

"Zip it, shorty." Omita walked off with her friend who was asking if she was hurt.

"Damn bro. You just set the precedence for an awkward first day of high school." My fiend, Yogesh, chided through his cackle. I had a uncalled-for feeling of punching his face in.

If he was not so painfully right. 

Monday, February 19, 2018

Rapunzel - A Dark Fairy Tale




Some days I like to imagine that I'm Rapunzel, although not as pretty, locked up in an ivory tower - just switch those ivories with bricks and that tower with a whorehouse while you're at it. The setting's far from fairytale-like now, is it? Anyway, I wonder for a moment why protagonists in every fairy tale are exceedingly... beautiful.

Pinching my mouth to one corner in a travesty of a pout, I ponder the asinine question for a while but break into a snort as I discover its asininity.

Asininity. The word sounds funny. I almost say it out loud for a chuckle. Slippery syllables strung together like a garland of hyperbolic promises.

"Radha, a costumer. Report to the lobby."

My brain screeches, almost makes me jump. Savita Di, our curator's shadow darts across the corridor to summon other nymphets of the brothel.

A sluggish minute later, a panoply of nymphets gather around in the lobby, flavors of flowers for our nectar-fancying honeybee to choose from. He looks rich - gentleman-like, Savita Di would say - middle-aged, probably no more than thirty-five, and ever so slightly scruffy beneath his suit and tie. His gaze travels from one deflowered blossom to another before his eyes balk on mine, a mere bud amid the blossoms.

His mouth twitches; for a moment, I feel like he is repulsed by the mere sight of me. He nods towards me wordlessly. And just like that everybody around me dissipates to their rooftop quarters in this ivory tower.

In silence, I make my way to my room. The client follows me wordlessly as I ascend the stairs and walk through the door. A slice of light peers through the gap in the curtains and onto the edge of my bed, reminding me it's close on sunset.  Close on the end of another day of accursed living. As a custom, I sit down at the edge of my under-stuffed bed - the one that has seen too many dances, the one that knows too much about me, more than I'd like anyone or anything to.

I let my eyes slowly fall on the face of my guest this evening. I used to imagine in the early days of mine that I wasn't looking at a client but an endearing husband who after having toiled tirelessly abroad for many years has finally returned and is seeking the warm love of his wife for this one gloriously awaited night. It made what followed easier. But after not few of some horrendous incidents from not-so-empathetic clients, I have learned to harden my resolve and not resort to fanciful reveries. But this evening that feeling somehow returns and trembles like a burgeoning fire inside my breast. My client's lips are disturbed in what I can only deduce is a smile. After a plateau of drawn-out hesitation, I reciprocate his gesture. He steps closer to my bed bathing in the crowning rays of the sunset. It makes him gleam; washed up in gold, he looks stately. My imagination runs amok once again. I picture him as my knight in shining armor, the savior who will whisk me away from this life fraught by iteration of countless death. Only his steely eyes betray the spell.

He takes a step forward into the unenchanted static light filling the rest of the room. And the moment is gone. With a curt gesture, he ensconces  himself beside me on the bed. I trail my gaze from his eyes, down his torso, his leg up to my thigh where his bent knee slightly touches me. Leeching my momentary lack of repose to feed his dignified tranquility. 

He takes my hand into his delicately like it was a withered peepal leaf that he found between the pages of an old book. My eyes trace traces of old wounds on his hands. White remnants of slits and cuts that gradually climb up his arms like mehandi on a bride's hands. He relinquishes my hands in favor of my chin so my deadpan gaze will find him. His face is unblemished, unlike his arms. Like he has nothing to hide, unlike me. Running his fingers along the contours of my cheek so lightly that my skin finds it difficult to register his touch, he lets his lips curve ever so slightly upwards.

"You're beautiful." he says. I want him to say more; delineate to me a beautifully poignant description of my lashes, my lips, my face but he says nothing else. He has that spark in his eyes that he lacked earlier but the rest of his body is incapable of following suit. 

Dusk has made the ambience grainy when we are done with our performance. The voyeuristic light is gone, like me, courteously dying its ritualistic death. 

Saturday, February 17, 2018

A for Adolescence [Slam Poetry]


A for adolescence and anxiety
B is for break-ups and break-downs
C for cursing cravings of cigarettes
D for dick pics and depression
E for elegant attires and economic hardships
F to the fucking future of society
G for the god of social media
H for the #hubriticheavenofhighschool
I is for the indispensable internet  
J for "j paye tei" to every
K for dozer-kanda, jems-kanda and bhut-kanda 
L is for love, lust and loneliness
M for the middle finger to the migraine-inducing media
N for the noose you want to hang yourself from
O for OMG! and OCD! and OVER!
P for poverty, politics and porn
Q is for those queasy feelings you keep quietly entrapped
R for the rioters and renegades
S for sex and swaggy filers on snapchats
T for twitter and tumblr trends
U is for un-fuckin-believable unemployment rates
V for the sweet violin voice of violence 
W for who, where, when and whatsapp
X is for X,X and X
Y for the useless years of youth
And finally Z for the zero that we all are
  

Tuesday, February 13, 2018

John C Maxwell's "The 5 Levels Of Leadership"


New York Times Best-Selling Author John C Maxwell explains about the hierarchy of leadership in his book Developing The Leader Within You. In his book, he breaks down leadership to five different levels. Each of these levels builds on the previous one so one can only reach Level 5 by embodying all the aspects of Levels 1 through to 4.




Level 1 - Position

This is the bottom tier of leadership. At this level, people respect you only because they have to, because you are in a position of power and possess rights granted by that position whether or not they want you as their leader. But all's not so grim at this level, the author contends. At this level, you can hone your leadership skills by learning to lead yourself through self-discipline and endurance before you progress to Level 2.


Level 2 - Permission

At this level, people follow you because they want to. You attain this level after you have gained your subordinates' trust. They believe in you because you listen to their values and opinions. Relationship between you and your team flourishes.


Level 3 - Production

Level 3 is achieved when the relationships built such as those from Level 2 starts to produce results. At this level, leaders gain influence and credibility. You bring in results for the organization and people begin to admire those results and are ergo happy to follow you.


Level 4 - People Development

Level 4 kicks in when you've become a mentor to your team members. You help the organization by developing leaders like you. You use your position, relationship and productivity to help those followers to grow into leaders of their own. This stage is about reproducing leaders such as yourself.


Level 5 - Pinnacle

The highest and hardest level of leadership is the Pinnacle. At this stage, people respect you because of whom you've become and what you represent. Level 5 leaders, the author explains, often transcend their position and their organization. They are almost an entity onto themselves.


Which level do you reckon portrays your current leadership status? Regardless of where you are, remember that you can always hone your skills to rise to the top tier.

Saturday, January 27, 2018

Padmawat (2018) [Movie Review]

Movie - Padmawat (2018)
Director - Sanjay Leela Bhansali
Cast - Ranveer Singh/ Shahid Kapoor/ Deepika Padukone/ Jim Sarbh




Padmawat is a legend of a demonic Sultan's obsession for aquiring an unobtainable beauty, here in the form of a Rajput Rani.

🌟🌟⚡

Allauddin aka Khilji (Ranveer Singh) is the aforementioned ruthless Sultan, whose morality has been cranked down to sub-zero. Advertised by his eagerness for killing and an insatiable sexual appetite, the writers want you to believe that he is literally the demon incarnate, and oh so well does Ranveer grotesque-ify the character 😈😈. Sporting unkempt long hair, scarred face, kajal contoured eyes and a sexual hunger of a beast, he is both menacing and intriguing at once. His misplaced sense of entitlement is evidenced pretty early in the movie when he says, "Allah ki banai hui har nayaab cheez par Allauddin ka haq hai" He finds early on a loyal maybe-homosexual definitely-perverse collaborator in Malik Kafur (Jim Sarbh) and their chemistry is off the top.
Compared to them the romantic pair of Maharaja Rawal Ratan Singh (Shahid Kapoor) and his second wife Padmawati (Deepika Padukone) pales remarkably. Ratan Sing, despite being a Raja of some land, seems to have nothing to do than stare moonily into Padmawati's eyes and spout the values of the Rajput blood given any opportunity. Barking dog seldom something.
But ironically, when push comes to shove, the valorous Ratan Singh has no bite to his bark when the maniacal Sultan Khilji wages a war against his kingdom in a bid to procure his queen of fabled 'nayaab' beauty.
Sanjay Leela Bhansali stages spectacularly lavish  scenes that make you unabashedly appreciate the effort that obviously went into making this movie. The cinematography is top notch but the story leaves something to be desired. While both the characters that Ranveer Singh (the movie belongs to this man 😈) and Deepika Padukone (saved by her taking charge in the second half πŸ€—) are etched exquisitely, the let down of the movie is the wimpy ass role that Shahid Kapoor (pretty much a wuss throughout the movie) got. Makes me wonder why Shahid said yes to the role in the first place, even the romanticizing of the ending doesn't come close to redeeming his cowardly philosophy to hardship (kinda reminded me of Nepali politicians' attitude during India's "unofficial" blockade and also the virtuous Ned Stark but at least he killed someone in the first episode.)
I found Padmawat to be little else than an unapologetic valorization of Rajput honour and values and an unfair demonization of Sultan Khilji stretching for too long and lacking all finesse that  Bhansali's last movie the delectable Bajirao Mastani had.

Tuesday, August 8, 2017

Prem Geet 2 (2017) [Movie Review]

Movie - Prem Geet 2
Director - Ram Sharan Pathak
Cast - Pradeep Khadka/ Aslesha Thakuri/ Santosh Sen



The surprise hit of 2015 Prem Geet returns with nothing in coherence to its sequel beyond the title of the movie.

🌟🌟☇

Off to reconcile with her proud ancestry, Geet (Aslesha Thakuri) takes off from Burma on a flight that lands her in Kathmandu. The job of picking her up from the airport falls on the lap of apathetic Prem (Pradeep Khadka). At first he wants to rid himself of Geet immediately but happenstance and his peer's and parents' insistence has them quite intermingled in each other's company. He takes her to Murma, a quaint and quiet village on the outskirts of the picturesque Rara Lake. Here Geet picks up a handfull of dirt and a sentimental artifact that her grandmother has left safeguarded in the hollow of a huge tree.
"How is that thing so brand new after all these years?" commented Vivek Sir on it. I gotta say I agree.
Immediately, Geet has to leave for Burma. Meanwhile Prem gets stuck on an elevator at a shopping mall when he goes to buy her a rose as a parting gift. So he's unable to confess his burgeoning love or see an expectant Geet off at the airport. The intermission kicks in with the image of an agonized Prem and an apprehensive Geet.
The rest of the story is how Prem flies off to Thailand with the backing of some imprudent motivation from his new-age parents.
"How are parents so cool in movies?" Vivek sir mused, probably pondering over his own parents' reaction in such a situation.
The rest of the movie plays out in a stereotypical sequence of how Prem puts his life on the line to get his love back against an undefeatable adversary in the form of Angat (Santosh Sen), a professional Martial artist up until a novel, somewhat unpredictable ending.
The ending is by far the most refreshing and rational one I've seen in Nepali movies, and thereby thoroughly satisfying.
The director perhaps could have spent a few minutes exploring the lifestyle of people of Murma village but he at least tries to salvage it some by keeping Prem's training sequence at the end to a tolerable spell; so that is a positive aspect. The film promotes itself to be a novel love story but that statement is hardly justified by anything other than the ending. Rara lake and Burma look spectacular and whoever the fuck was the costume stylist needs a special commendation but the movie leaves a lot to be desired in the way of a coherent soul and decent acting from the leads.
Prem Geet 2 is twice as good looking in presentation department as Prem Geet and half as bad in terms of engaging and crisis-ridden storytelling.

Sunday, May 14, 2017

Praying For Rain [Part I]

    
Shrawan (July/August)



Rain, darling, is the most alluring of magic.

                I remember the quote from someone I met years back as I watch confetti of rain droplets buffeting my window pane right now. Well, the rain has me captive in my room, my cocoon, so I might as well regale to you the story behind that quote.

                The morning was damp with a light drizzle. Now, most people tend to describe rainy mornings with words ranging from sad to gloomy to boring, but, to me, rainy mornings were a blessing of seclusion. Everything, every unwanted noise, every unwanted interaction averted; for me rainy mornings meant I would skip school completely that day. Now I would take off from home for school, lest I be reprimanded by my mother but on rainy days school for me was the quiet solitude of Nadipur Park. I would sit down before a vista of tortuous Seti rendered sentient by the sudden downpour and the clear, actually sterile portrait of Manipal Teaching Hospital. And I would draw into my sketchbook whatever I fancied.

                The slick streets leading up to the park were deserted, a recurring theme, whenever it rained. I closed my umbrella when I reached the revolving gate and hurried inside as I spied a bus rounding the corner ahead. I like my sprays when they're naturally falling from the sky and not from under a screeching tyre.

                On most days, I would be lone admirer of the rain-gilded vista of Seti and Manipal from up here but today, it seemed, I had company; a woman.

                She was sitting in the spot I usually sat on and was stretching her feet out to feel the string of rain falling from the corner of the cemented awning above her onto her toes. Flummoxed slightly by the unexpected visitor I looked around for another bench to sit. She saw my hesitation, smiled and scooted over to make a spot for me. “I'm sorry. Come over, please.” Her voice had a laughter imbued into it, made more pronounced by the soft score the rain was playing in the backdrop.

                I smiled cordially and sat in the warm spot she had relinquished for me. The view infront of us was a xerox of every other rainy day that I had sat here. I was reluctant to take out my sketchbook, seeing that I was not completely by myself this day. I sneaked a glance at her. She was wearing a starched brown kurtha over a light sky-blue suruwal. Her hair was pulled back in a simple ponytail. I also noticed an ochre crossbody handbag resting against the bench arm beside her. I realized my school uniform must seem odd to her. She was staring intensely at the corner of the awning spewing those stringy beads of water. Engrossed as she was, I didn’t bother making small talk – and not discounting the fact that I was too mystified to utter any word – I fished out a sketchbook and a pencil from my bag.

                “So, you’re an artist, huh?” She flashed me a genuine smile. A smile that you’d want to keep remembering. A smile I’ve drawn and redrawn countless times since.

                “No,” I said embarrassed. “I just sketch from time to time. Usually it’s on rainy days.”

                “I see! What are you planning to draw on this rainy day, young painter? The deathly beauty of the hospital, the wet cleavage of the hills or the frenzied river below?”

                “The wet cleavage of the hills, that’s a good one,” I looked at her faint dainty features smudged against the rainy background. “Well, I could paint you, only if you didn’t already look like a painting.” I could not believe I said that. To my ears, those were the words my mouth could  not utter.

                “Well, thank you!” Her pursed lips were flushed pink. Suddenly, her black irises had gathered an unnatural depth and her cheeks effused with a slight vermillion as she said, “In that case, you could forge up a copy”

                This coy confidence of hers was as heady as staring down at a raging Seti. I knew my own cheeks to be burning up with a mix of embarrassment and confession as I replied, “Well, I cannot be done in one morning if I am to get all the subtleties done.”

                “If so then when will your next sojourn to this place be, my forger?”

                “I come here on rainy days, that’s when I skip school and sketch here.”

                “Only on rainy days? You sure you cannot persuade your artsy self on other days”

                “Well, only rainy mornings to be precise.”

                “Very well, then, henceforth, this park bench will be our rendezvous on rainy mornings.” Her shoulders convulsed as she feigned a haughty laugh. “So, tell me, o disciple of Indra, you only sketch on rainy days?”

                “Well, not always,” I shrugged. “But there is something about the rain that inspires me to create something.”

                “Rain, darling, is the most alluring of magic.” She said, with a flourish in her iridescent eyes.

                I nodded, admiring the slight whirl in the rotating cogs of her pupils. As I did, she without a pre-warning, launched into a soliloquy complete with lofty gesticulation. It took me a moment to realize that it was a poem she was reciting.






                “On a boat of love
                Let us ford this body of water
                Let us voyage, you and I,
                To the country of love, darling

                No one will dare stop us
                We’ll do as we please
                Let us go, you and I,
                To where there’s only our rules, darling

                Let us climb the uphill slopes together
                And likewise the downhill steeps
                Let us walk, you and I,
                Together this path called life, darling

                The world is a cruel place
                You can never trust anyone
                Let us be, you and I,
                Each other’s trust, darling

                Imperishable will be our hearts
                Love that exceeds aeons
                Let us impart, you and I,
                This wisdom to the world, darling”


               


Her face while she recited the poem was as beautiful and as animated as those depicted on the temple rafters. At the start of every line, her voice quivered with her lashes. Twin weapons of her enchantment. Even the stochastic rain was beating a rhythmic applause around us when she finished her poem.

                I was amazed. Among the countless things that assailed my senses all that I could manage to say was, “Wow – you’re a poet.”

                “Only on rainy days,” she said simply. “Like you, my friend,” The sky overhead was grumbling in a muffled cadence. “Now that I’ve shown something of myself, will you requite the favour and let me savour a peek of your sketches you got there?” There was a disarming childishness to her voice that rendered you vulnerable.

                “I don’t think that’s a fair trade considering how beautiful your poem was.” I yielded my sketchbook into her receiving hands.

                “I’m sure we’ll disagree on that.” She flipped open the sketchbook. I immediately felt a sudden dread inside my chest, I’d never shown anyone my sketchbook, let alone someone I’ve just met moments before. “I want to create whatever they say I cannot,” She read out the handlettered quote on the first page of my sketchbook. She followed it up with, “Do we have a sketch artist and a poet in our midst?”

                “Well, I won’t debate about the ‘poet in our midst’ part.” My insinuation elicited a laughter from her.

                The first sketch was that of knitting instruments and a loose ball of yarn depicting an abstract woman. “This is beautiful,” She exclaimed. “Don’t tell me you knit as well”
              
               “No, madam, I do not.” I answered not timidly.

                “Because that would have been an overkill.”

                Next page was a water colour painting of the vista infront of us.

                “This is amazing,” was her common refrain as she flipped through the rest of the random assortment of sketches and paintings. The paintings weren’t that good but she wouldn’t stop showering them with compliments.

                “Now you should definitely paint me.” She said after reaching the last page and reflipping back to the first page.

                “I – ”
               
                “I’ll make you a deal,” she said with mischief colouring her eyes. “You draw a sketch of me and I’ll write you a poem. How about that?”

                I pretended to think on it while all along I was just admiring her contagious zeal. “Okay, but on one condition,” I said after a moment’s pause. “Well maybe two. One: you cannot look at the sketch until I say it is complete. Two: I will sketch you only when you are writing my poem.”

                “TouchΓ©.” She picked up her handbag and took out a small notebook and a pen. “Let’s get started, young Picasso. And, oh, I won’t let you read your poem too until you’ve finished up my sketch.”

                “Don’t worry I want you to read the poem to me after I hand over this sketch to you.”

                “Alright mister”
               
                And that is how I befriended a poetess.